Showing posts with label Tether Design Gallery. Show all posts
Showing posts with label Tether Design Gallery. Show all posts

Thursday, January 20, 2011

Ovid on a Bicycle


Changes of Shape
I'm now beginning my second month as poet-in-residence at Tent City 3 in Seattle, WA---Tent City 3, tactic 2, one more try. I've decided to find a stationary bicycle, select a collection of poetry and read it all while riding in camp. What why? To stay warm.. to build strength.. for my health.. because I got sick four times last month.. for the positive turn.. because I have to do something..? Anyway, something! Perhaps a few fewer stresses, a bit more sleep and a spin on the old bicycle will do it. And so, like any good search, this one began at the Goodwill. I do so love the Goodwill. I spotted an elliptical trainer in the furniture aisle and a recumbent cardio-machine in the lawn care section, but no stationary bike. I'll have to look online. Then I wandered into the poetry section and out jumped Ovid (43 BC-18 AD). Hahah! That musty, old, yellowing, 99-cent, mass market mythster! For under a dollar, he said, he'd give me all the myth I could take, along with a few heroes (which we desperately need at Tent City), some drama (we have enough of that) and a whole lot of passion. Promises, promises!! Upon reading that Augustus, the first emperor of Rome, had banished Ovid in 8AD for corrupting the youth of Rome, I began to take him more seriously. In fact, he sounded like he might understand life here at our Tent City. I bought Ovid's Metamorphoses, a collection of ancient Greco-Roman myths featuring the lives and loves of the gods, translated by Horace Gregory, 1958.


Second Time Around
After the big push for the gallery show and the fabulous Tether opening, I slept for a day and then took two more days off. While I was away, I worked on a plan, a new plan, a way to go back. If I'm going to stay at TC3 through the Meadowbrook tour, 24 February, something needs to change. I haven't wrapped myself around this project, this thing, this city I'm in, at least not in a definable way. I need a plan. I don't want to waffle any more. I want to do something. Make progress. But how and where and why? And what? I spent my time away thinking about it. By day two, I had a plan. It was based on three crucial bits of information: (1) The only thing I can control is me, (2) the only one I can transform is me and (3) metamorphoses is what I need. Again and again, it's me and change. Ahhh.

Banish Me
Me. Seattle. Ovid. Albania. Tent City. What does it matter? It's a disgrace and a shame for us all. Either way, we lose. No distance, no amount of praise, will win us back into the light of day, into harmony. Let's just apologize and get on with on. Let's solve the problem from within and grow from it. Let's sit in the seat of it and turn the pedals. Pedal right up that hill. Can you see us pedaling? Each time we move an inch, one degree in fahrenheit  rises. You can't see change in a day. Give it a month, a year, a decade. Give it a push. We'll crest the hill eventually, we promise. Put an endpoint in sight.


Name Plates
All the tents in camp have names, written on paper plates and attached with a paper clip or duct tape, so you can find someone when you need them. There is a map that constantly needed updating. The bunk houses are named after hotels, The Desert Sands and The Palms. Single and couples tents are named by the people who move into them. There's a tent in camp called "Second Time Around," a good name for a hard luck home, hopeful and honest.

Tuesday, January 11, 2011

First Thursday @ Tether Gallery

Image by Dan Smith

Song of Tent City
Amazing that we pulled it off in such a short time! Thanks to the generous support and expert assistance of Dan Smith, Vanessa DeWolf, Dr. Clinton Lee Bliss, Christopher Wilson, Lyn Coffin, Mark Miner, Josie Elizabeth Davis, Jacqueline Juarez, Oakley, Jim Roe, Scott Morrow, Darren Norrington and others, the show opened to a healthy and appreciative audience on Thursday 6 January at Tether Design Gallery in Occidental Square. Many thanks to all who attended and offered support!! Representatives from Tent City 3, SHARE/WHEEL and Sprout were among those in attendance, along with 10 residents from Tent City and many friends from the art community! We were all mingling, there was no fence, and it felt natural and healthy enough. Items on display in the gallery include: (1) the ger in which I lived in Tent City and, inside it, my milk crate bed and sleeping bags and chair, (2) My Poet's Cape fanned out on the wall, (3) the Whitman quote that inspired it all painted on two blue tarps, (4) handwritten lines of my own original writing on the rafters, audio of the script and discussion between Tent City collaborators Lyn Coffin and Mark Miner (with assistance by Vanessa Dewolf), (5) six original works of art created by resident artists at Tent City 3, (6) letter-press printed broadsides with stencils of my yurt and blue smurfs (the tall community tents), (7) a sign-making station where people were welcome to think about what they truly needed and write that on a square of cardboard, (8) original sketches and hand penned letters from my time in Tent City. As a fundraising show, Song of Tent City will continue at Tether gallery for two weeks (gallery hours are M-F from 11am-5pm). Sales items include original framed works of art made by Tent City 3 residents, hand-stenciled broadsides with images of my ger and  TC3 tents and handmade Song of Tent City journals. Thank you for engaging with this art and for doing your part to ease the burden of homelessness in Seattle.

Audio Recordings of Artist Pairings
Lyn Coffin & Mark Miner Script (read by Mark & Vanessa)
Mark Miner Explains the Script
Mark Miner Talks about Tent City
Vanessa DeWolf & Jacqueline
Josie Davis & Oakley

Monday, January 10, 2011

Going Going Gone


My spirit has begun to foul and all the trash bits have begun to annoy me. Picking them up, I think, "Does no one see this? Does no one see!?" Cigarette butts, cut up zip-ties, bits of string, bus tickets, tissues. Twice I have asked people to lower their voices, for the sake of the camp, for the sake of our neighbors, to which they retorted with even louder voices or walked off in a huff...while someone, somewhere, cocked and shot an air rifle.. kaPoW kaPoW! Now here's someone I could learn something from, the rifleman. Here is someone, I think, who knows about life in camp. It's a waste of time to even try to understand. Better to shake your head and walk away. Keep your mouth shut or take on a cargo of pain. Isn't that what he's saying?

And yet here I am, the new me, the neatnik, the loyalist, the pessimist, the aggravated one, roaming through camp with a critic's eye. What's this?! What's that? Out of order! Out of whack! Internalizing, scanning, scowling. Hmh? Where did this come from? I thought I'd looked in enough eyes? Thought I'd come to care about these people? Learned to sympathize with their situation? Or is it that I've looked in too many eyes? Is it that I've looked too long? Or that I've begun to bore right through and miss the point? Perhaps it's the weather and the headache and the sinus infection and the litany of rules and constraints and the constant smell of smoke and the dampness? Yes, the dampness. Perhaps it's all of these things doing the damage? An what comes after identification--oppression? Is the boat going down? Is it time to swim? Where is the shore? At first, one month ago, I looked on with curiosity. I thought, o what drama and o how silly. Now I look and think, enough already, please and phew! I thought I was skilled at evading it, but now the smoke is inescapable and making me sick.

New Year's Eve
I worked the 9-midnight security shift on New Year's Eve. Another holiday passes without ado. No ado. And the desk was steeped in smoke and chaos. What do I care? I walked through camp again and again. We had three securities because of the lost signup sheets. Happily, I was let out on a neighborhood sweep with the other woman on duty. A silent walk would have done me well, but she needed to talk so I listened as we walked down the dead end street. At the end of our tour, she told me about a dream she had where the trees held onto our stories. I asked the trees to keep us in mind, especially the one at the entrance. Remember this.

The Sleeping Altar
A firework or two in the distance. Inconsequential. I grabbed my bundle of sleeping bags and hauled them on my back to the church. It was freezing. Seattle Climate Date reports a low of 21F, 4 degrees colder than last night. I tiptoed around a man spread across the aisle and went up to the altar. I unrolled my bag by the wall at the far edge on the carpet. A floor has never been so comfortable. Or warm! I fell asleep immediately, but woke up to the same harsh story. Overhead lights. "You got half an hour to get up and get out!" It was a security calling us to wake. Not five minutes later came the second call and then individual calls, "You up? You up?" What happened to my half hour? Agh! I'm sleeping! It takes two minutes to get up and get out. Leave me be. I have a headache and two securities to pull after my meditation walk. Ok! Ok! I got up. I put my boots on and hauled my bags on my back. I exited the church and stuffed my bags in my ger and walked on out to my car. Got to get out.


1 January 2011
It was the dawning of something new and clear and orange, something I didn't have time for. It was New Year's Day and so early I saw the sun rise, but I didn't feel new. Nothing was new or beginning for me. I went away to sleep. I wasn't feeling good. I slept in a bed for three hours then cancelled the meditation walk. I knew four of five regulars were out of town. After two more hours of sleep, I dragged myself across town and back to Meadowbrook. I put on my security vest and walked around with my fingers in my neck, pushing on the nerve that calms the pain. I spent some time sitting low on the curb to avoid the cigarette smoke, but I had to keep moving if I was going to make it. I got up and walked around. I followed the gutters through the neighborhood on two perimeter sweeps. I had the feeling the neighbors getting into and out of cars were judging and pitying me. I was picking up bits of trash in a bright yellow security vest that marks me as a homeless camper. I felt I was being cast as a martyr.

The Siberian Bear
Richard the Russian, Richard the Bear, Richard the Siberian, in the fuzzy hat with the ear flaps--where does the hat ends and where does the beard begin--pleasant Richard who sits long and moves little and cannot maneuver without his walker, asked the donations coordinator if he could have the mat that came in with the new donations. "I'm tired of people nagging me when things come in." "I'm just asking. You won't get anything if you don't ask." "What happened to the last mat I gave you?" "It compressed to nothing and, you know, I had that accident. I threw up on it." "Well, you need to wipe that up." Now here is a guy who could benefit from a warm place to live with access to assistance, but they say he's where he wants to be, among friends who care about him, yet he's begging for a mattress from someone in the same situation. Dear Richard, You have altered my state completely. Up is down and down is up and I'm sorry the world is unkind and forgot you--forgot your farm and your cask of wine and the children clambering and the birds for your hair. You deserve better. I'm resigning my post in the hopes that one better than me might fill it. Sincerely, The Poet.

Hatching
When I came back from my second perimeter sweep, Richard and Jarvis were hatching a plan. They'd seen I was sick and were working it out. The camp accountant informed them, "She owes two securities," and so they found someone to cover my second shift. Richard promised her $5, the going rate for a security and I found her in the community tent and gave her $6. I nearly made it to 3pm, but as I was restocking the paper in the honey buckets the scales tipped and the nausea hit and my mouth started to water. I threw up. I can think of nicer ways to spend New Year's Day. I went out, pulled off my security vest and said, "I'm leaving." Someone behind the desk shouted at me to read the letter on the bulletin board. Not now, I'm sick. My eyes were still watering. Roger asked if he could introduce me to some people on a tour. I looked at them all and said, "I'm sick." I had a difficult drive across town. When I got to Fremont I crawled into bed, took some Phenergan and slept and slept. By 4am, I was up and eating and feeling human again, then I slept some more.


January Marching
I was back in camp and breaking down camp on Sunday morning. I needed to be at Tether Gallery by noon to install my ger and cape and milk crate bed. I brought a foam roll for Richard to use as a mattress, probably not the best bed, but perhaps better than what he had. My head was still heavy with the memory of ache. The roof of my ger was covered with frost, the edges of my cape were frozen and it seemed everyone wanted something from me. Hear me! Hear me! But no one came to help. No wonder. I was emitting sparks and my mood was darkening still. I was losing the tether altogether. Then, as I was carrying my things to the car, Brian offered to help. He carried three loads to my car. That acted as a stabilizer and so I held on, but after my second trip to the car I came back to find half my bed gone. My stack of eight milk crates was now down to four-- swiped to make another bed. No...! I still needed my bed. I found the person who had them and asked for them back. He said he'd be with me in half an hour. But I needed my bed back now. I had a friend on the way to drive them to the gallery. I took my complaint to the EC who assisted me. I was now floating free from my tether. Yes I need some time away. Yes I was unwell. Yes I was going...

The Kites We Keep Alive
Take any sane, happy, well-adjusted individual (not saying I am), put them in a tent, in a parking lot, with 99 other individuals in Seattle, in the winter, and subject them to a litany of oppressive rules, they'd all go crazy, one by one. Some might look like me. Some might look like that woman over there. Others might look like him, or him. They'd all suffer emotionally and physically and mentally from the same disease--systems overload. Yes there's a next stage, but will I reach it? I don't know. At the next stage, you purchase an air-gun and learn to shoot it. You buy a permanent sealant and learn to glue your mouth shut. You buy a weighted hat for your head. You are fitted with a semi-permeable membrane to speed the internalizing process. What does it take to stay healthy in Tent City? Or is it impossible? Or is that the point? It isn't possible? You can't flip facts. I'll have to wait til the next level to know. I'll tell you when I get there.

Monday, January 3, 2011

Homeless Homeless Everywhere

Nickelsville
I attended this week's SHARE/Nickelsville meeting. Once a month the group meets at the Nickelsville encampment, the rest of the month they meet at the SHARE downtown officeThis was a Nickelsville week and I was looking forward to seeing the site. I'd heard a bit about it and wanted to see how it compared to Tent City, where I've been living,  a couple miles to the southeast. Nickelsville is an unsanctioned homeless encampment in Lake City at the old fire station. It's been in the news lately because of the Ten-Year Plan to End Homelessness and because Mayor McGinn is working in earnest to find Nickelsville a permanent site. The meeting was congenial and well run. Credit is given those who attend, so there was a sizeable group, about 25, gathered in the community room, which is also a bunkroom. There were cots and bedrolls and bags of personal belongings lining the walls. It being just after 9am, there were still a few people in bed sleeping. Others were sitting up, working on crafts or reading. After the general discussion, we broke into committees. Half an hour later, we reconvened and reported on our work. I served on the Needs Assessment CommitteeDeputy Mayor Darryl Smith is asking to work with the homeless encampments to initiate an ongoing, anonymous survey of the homeless in Seattle. As with everything, the decision is considered and put to a vote. Should we work with the city? Should we accept the survey? Does it address our needs? What changes, if any, should we make? Who should administer the survey, an insider or an outsider? Copies of the survey were distributed. We took some time to fill it out and then talked about the experience. The survey requests information on your origins, gender and race. It asks about your willingness to find and keep housing. It asks about your sources of income, your impediments to finding housing, and your use of and need for social services. The city says they want to better allocate funds for the homeless, but to the homeless person completing the survey, those services may seem desperately far away or absent altogether. The incentive to fill the survey out is a gift certificate, dollar amount undisclosed. Our group of four was split. After much discussion, we decided, with some rewording and clarification, we could accept the survey on a trial basis of three months, if administered by someone in camp.
Dream Catcher
I met one the TC3 founders at Nickelsville. Falcon is an administrator at Nickelsville now. He showed me his dream catchers (he makes them) and took me on a tour of the camp. Their footprint is about half the size of TC3's current camp. Some of the residents live outside in tents, others live inside on cots. The insiders sleep in common rooms, a couple of feet from one another, on cots or bedrolls, with no dividers and no furniture for their belongings. They collectively share one refrigerator, one freezer and one tv. They are one hundred people. Pet owners stay together in one room. Cats and dogs, all on leashes, perch on their owners' beds looking innocently about. They seem healthy and well-behaved. The Animal Rescue League offered to license, spay/neuter and microchip any animal at Nickelsville free-of-charge. I wonder why, if you could live in warmth and comfort, you would choose to live at Tent City? At Nickelsville, you have access to indoor spaces, hot showers, plumbing, a kitchen with a sink, a stove and cupboards. With rules, come freedoms. More is required of you at Tent City but then there are more freedoms. The freedom to be cold. The freedom to be wet. The freedom to get rid of problems. The freedom to speak out and be heard.

Square One
After the Nickelsville meeting and tour, I went back to TC3. It was windy and snowing. The sky was in a dark mood. The fence was coming down. Bits of paper and bags were blowing about. A few people were sitting around recharging their computers and phones, eating, smoking, staring into space. I took in a handful of the Tether Gallery posters. I'm meant to be filling them with original art. "Want to make some art?" "No." "Want to try an experiment?" "No." "Want to be part of a gallery show?" "No." "What do you want to do?" "Let me think about it. I'll get back to you." It was cold. My head hurt. I was tired of trying, tired of being stressed out, tired of the conditions and the schedule and the need to produce something. Forget it. I give up. I can't do this on my own. I don't even want to. I have 200 blank posters and too few willing artists. It's not their fault. No one said they had to want to make art. I had hoped to organize a performance. I had hoped to make a film. I had hoped to construct a reading room. I had hoped to do so many things. But it's cold and we're sick and tired of the conditions. Our situation is leagues less than ideal and there's no end in sight. So maybe it doesn't want doing. Which is fine. Just fine. I don't want to be a ringleader. Or a misleader. Or a savior. Or a commander. Or anything at all. I just want to live and observe and communicate. Back to Square One. Hah. Square One. I spend a lot of time there. It happens every day or so. And it's frustrating and exhausting and confusing and makes me want to quit. How many times can you invent a project? I'm used to developing something and seeing it through. I'm not used to continually reinventing and failing and reinventing and failing again and...ugh.. all the way...so many shifting variables. Whatever it is I'm doing, I quit. I have nothing to prove. Yes, I can be cold, but you could always be colder. Yes, I can be hardy, but you can get hardier than this. Yes, I can be insightful, but you already know everything. Yes, I know nothing. It's true. I'll never know your experience. It's impossible. And it's time to recoil now. Maybe in a day or two, I will try again, try to offer and receive, think of something new, but for now I quit. I'm getting too involved, too enmeshed. I care now at a fighting level and that's not good. I'm no longer in a position where I can help. I've been beaten down. And now I'm one of you. And here comes the song. I can feel it. Yes, here it comes.

CoughCoughCough
I no longer notice them, the coughing ones around. Has it stopped? No wait. There. Someone sneezed. We're still sick. We've been sick all along, since before we began. I just finished a course of antibiotics. I got sick while I was on them. And now that I'm through, I'm sick again. Fatigue, sinus pain, congestion, headache. Oooo. I finally scheduled an appointment to see the doctor. I've just been sick too much. Like my many artist friends, I have no health insurance. If there's something wrong beyond what Country Doctor (clinic) can fix, I'll have to wait until I have health insurance. Alas. I'm just an artist. Expendable.


SONG OF TENT CITY
Tether Design Gallery
A designer-run gallery dedicated to supporting emerging artists, designers and visionaries.
323 Occidental Avenue South
Pinoeer Square, Seattle
Opening: Thursday January 6th, 2011 (6-8PM)
Regular Gallery Hours: M-F, 11-5PM

Friday, December 31, 2010

TETHER GALLERY SHOW


Opening:
Thursday January 6, 2011 (6-8PM)
Tether Design Gallery
323 Occidental Avenue South
Seattle, WA 98104


Residue from SONG OF TENT CITY, the self-designed poetry residency I began on 27 November at Tent City 3, will be installed at Tether Design Gallery in January 2011. The show opens at 6pm on Thursday 6 January for the First Thursday Seattle Art Walk. Includes installation, artifact, audio and live interaction during the opening. Get an idea of what it's like to live at Tent City. Sit inside the mini yurt I've been living in. Read poetry and handwritten journal entries written by homeless people living in Seattle. Listen to audio clips from artist collaborations between Seattle artists and current Tent City artists. Participating Seattle artists include Lyn Coffin, Josie Elizabeth Davis, Vanessa DeWolf, Ann Sloper and Sam Trout. Audio was graciously recorded and edited by the amazing, Christopher Wilson. Artists, on both sides of the fence, donated their time and efforts to this cause. All funds collected at the show will go to Tent City. Their greatest expense is transportation. When available, two bus tickets per day are provided to each camper, which helps them get to appointments and seek work. The next largest expenses are honey buckets and trash removal. 100 people live at Tent City 3. This gallery show will run through Thursday 20 January. This project received in-kind support from Tether and financial assistance from SPROUT! Thank you both.